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DTSTART:20260308T020000
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DESCRIPTION:<div class='ai1ec-event-avatar alignleft timely'><img src='http
 s://oldchurch.ca/wp-content/uploads/Medusa2025_01-300x200.jpg' width='300'
  height='200' /></div><div class='public-DraftStyleDefault-block public-Dr
 aftStyleDefault-ltr' data-offset-key='5hqgn-0-0'>\n<div class='' data-bloc
 k='true' data-editor='ajus' data-offset-key='5hqgn-0-0'>\n<div class='publ
 ic-DraftStyleDefault-block public-DraftStyleDefault-ltr' data-offset-key='
 5hqgn-0-0'>\n<p>Get ready to stomp your feet\, laugh\, cry\, and hear soun
 ds you’ve never heard before with this electrifying and genre-defying cham
 ber-folk band. Wielding a sound that could turn classical <a href='https:/
 /oldchurch.ca/wp-content/uploads/Medusa2025_01-scaled.jpg'><img loading='l
 azy' decoding='async' class='alignleft size-medium wp-image-8772' src='htt
 ps://oldchurch.ca/wp-content/uploads/Medusa2025_01-300x200.jpg' alt='' wid
 th='300' height='200' srcset='https://oldchurch.ca/wp-content/uploads/Medu
 sa2025_01-300x200.jpg 300w\, https://oldchurch.ca/wp-content/uploads/Medus
 a2025_01-1024x683.jpg 1024w\, https://oldchurch.ca/wp-content/uploads/Medu
 sa2025_01-768x512.jpg 768w\, https://oldchurch.ca/wp-content/uploads/Medus
 a2025_01-1536x1024.jpg 1536w\, https://oldchurch.ca/wp-content/uploads/Med
 usa2025_01-2048x1365.jpg 2048w' sizes='auto\, (max-width: 300px) 100vw\, 3
 00px' /></a>music scholars to stone\, these four folk innovators are reima
 gining the Western string quartet. Medusa Quartet cross-pollinates traditi
 onal music from around the world with original tunes\, classical pieces\, 
 engaging stories\, and their one-of-a-kind stringed instruments to create 
 a “must-see live show!” (Sam Boer\, Exclaim!).</p>\n<p>Medusa Quartet is t
 ruly unique in Canada\, distinguished by its rare and compelling combinati
 on of instruments. Marta Sołek plays the Bilgoray Suka and the Płock Fidel
  from Poland\, instruments that were made completely extinct and reconstru
 cted in 1980 based on paintings from the 19th century. There are less than
  50 people in the whole world that know how to play these instruments. Sas
 kia Tomkins plays the Nyckelharpa from Sweden\, a medieval-age fiddle that
  almost died out in the 20th century\, but was resurrected by Erik Sahlstr
 öm in the 1960’s. There is no other group in the country\, and likely the 
 world\, that blends the sounds of these particular instruments together.</
 p>\n<p>By inviting back voices previously regarded as too ugly for “polite
  society\,” Medusa tempts us<a href='https://oldchurch.ca/wp-content/uploa
 ds/Medusa2025_03-scaled.jpg'><img loading='lazy' decoding='async' class='s
 ize-medium wp-image-8773 alignright' src='https://oldchurch.ca/wp-content/
 uploads/Medusa2025_03-300x200.jpg' alt='' width='300' height='200' srcset=
 'https://oldchurch.ca/wp-content/uploads/Medusa2025_03-300x200.jpg 300w\, 
 https://oldchurch.ca/wp-content/uploads/Medusa2025_03-1024x683.jpg 1024w\,
  https://oldchurch.ca/wp-content/uploads/Medusa2025_03-768x512.jpg 768w\, 
 https://oldchurch.ca/wp-content/uploads/Medusa2025_03-1536x1024.jpg 1536w\
 , https://oldchurch.ca/wp-content/uploads/Medusa2025_03-2048x1365.jpg 2048
 w' sizes='auto\, (max-width: 300px) 100vw\, 300px' /></a> to redefine what
  is beautiful. One of the most misunderstood figures in ancient mythology\
 , Medusa was wrongfully punished and cast out for being the victim of a vi
 olent act\, but is remembered solely for her frightful ugliness and lithif
 ying gaze. As a band made up of female\, 2SLGBTQ\, BIPOC\, immigrant\, and
  neurodiverse artists\, they resonate with Medusa’s story and hope to ampl
 ify the voices of these communities.</p>\n<p>With their debut EP\, nominat
 ed for a 2024 Canadian Folk Music Award\, Medusa harnesses the sounds of M
 iddle Eastern\, Scandinavian\, Celtic\, Appalachian\, Classical and Easter
 n European music\, as well as original compositions\, to create something 
 previously unheard. With this debut release\, they connect audiences acros
 s dividing lines of culture and identity to reveal the common threads bene
 ath. In the last several years they have toured across Canada\, the United
  States and the United Kingdom\, including shows at Roy Thomson Hall\, Cal
 gary Folk Festival\, Hugh’s Room Live\, Calliope House\, the Rogue Folk Cl
 ub\, and many more. Their music has been featured numerous times on CBC\, 
 CKUA\, and Polish National Radio\, and their EP was featured as one of Roo
 ts Music Canada’s favorite new discoveries of 2023.</p>\n<p>As individuals
  and as a group\, Medusa Quartet has extensive experience teaching childre
 n and adults of all ages. They teach individual lessons\, group workshops\
 , and community events across Canada\, the US and the UK and are in demand
  as instructors and guest clinicians for festivals\, schools\, fiddle orch
 estras\, camps\, residencies\, and events.</p>\n<p>Medusa’s first full-len
 gth album\, “Weaving Gold in Broken Places\,” will be released in February
  2026 and they will be embarking on a release tour of Canada\, the US\, an
 d Europe.</p>\n<p><script src='https://www.universe.com/embed2.js' data-st
 ate=''></script></p>\n<style> a.unii-listing-button { display: inline-bloc
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 tyle>\n<p><a class='unii-listing-button unii-custom unii-medium Light' sty
 le='backgroundcolor: #5cd748\;' href='https://www.universe.com/events/medu
 sa-tickets-HDT8JR?buttonColor=#5cd748&buttonText=Get Tickets'><br />\nGet 
 Tickets<br />\n</a></p>\n<p> </p>\n<p><strong><b>Individual Biographies</b
 ></strong></p>\n<p><strong><b>Marta Sołek </b></strong><strong><em><b><i>(
 she/her)</i></b></em></strong><em><i> </i></em>is a multi-instrumentalist 
 from Poland. She was essential in the creation of a folk music revival pro
 gram at the Krakow Academy of Music\, which allowed her to be the first mu
 sician in the world to hold a master’s degree in the Suka from Bilgoray an
 d Płock fiddle\, alongside classical cello. She was a part of the restorat
 ion of these unique traditional Polish instruments from the 17th century\,
  and flew to Pakistan to study with sarangi masters in order to revive a l
 ost fingernail technique needed to play these instruments.</p>\n<p>Marta h
 as performed all over the world with classical orchestras\, jazz\, pop\, r
 ock and world music bands. She has recorded 14 CD’s in total\, as well as 
 music for TV shows\, games\, and theater. She is the winner of several awa
 rds and grants including a grant from the Ministry of Culture of Poland\, 
 the Fryderyk (the Polish JUNO Award) for the best debut jazz album of the 
 year (2015)\, and the best jazz album of the year with Nikola Kolodziejczy
 k (2016). She has also won several awards at “Nowa Tradycja” and ”Mikolajk
 i Folkowe”\, Polish Folk Festivals.</p>\n<p>She was part of the band Same 
 Suki and founded the knee-fiddle duo InFidelis\, whose <em><i>Projekt Kolb
 erg </i></em>CD was awarded a full 5 stars in Songlines Magazine. She curr
 ently performs and tours with Labyrinth Ensemble\, Polky\, Moskitto Bar\, 
 KUNE Global Orchestra\, and Meesha Shafi. She was the winner of the Orilli
 a & District Art Council Emerging Artist Award in 2020 and received 4 Cana
 dian Folk Music awards nominations for Polky and Medusa Quartet.</p>\n<p> 
 </p>\n<p>Marta has a degree in teaching\, psychology and pedagogy from the
  Music Academy in Krakow\, Poland. She has over 15 years of experience tea
 ching in Europe and Canada\, giving workshops in classical and world music
 \, and currently teaches cello at the Orillia Music Centre\, Ontario. She 
 is committed to raising awareness about these rare forgotten fiddles.</p>
 \n<p> </p>\n<p><strong><b>Saskia Tomkins (she/her)</b></strong> is a multi
 -instrumentalist (Nyckelharpa\, Violin\, Viola)\, a master educator\, fidd
 le innovator\, and a composer. Born in the UK\, she is classically trained
  with a folk background and an Honours B.A. in Music (Jazz). She is an All
 -Britain Champion Irish Fiddler\, and in 2022 received an award for servic
 es to Irish Music in Canada. She is also a member of multiple JUNO-nominee
  global roots band the Sultans of String.</p>\n<p> </p>\n<p>Saskia was the
  official Artist in Residence in 2022 with Folk Alliance International<str
 ong><b>\, </b></strong>and is currently Artist in Residence with British-b
 ased organization The Mixed Museum\,<strong><b> </b></strong>which works t
 o preserve and share the social history of racial mixing of Black and ethn
 ic minorities for future generations.</p>\n<p> </p>\n<p>Over the years\, S
 askia has worked with many acclaimed musicians\, including: The Chieftains
 \, Sultans of String\, Jabbour\, Uriah Heep\, Ken Whiteley\, Jimmy Bowskil
 l\, Ron Korb\, David Newland\, Donald Quan\, Lotus Wight\, her husband Ste
 áfán Hannigan and son Oisín Hannigan\, and numerous others.</p>\n<p>Her th
 eater work includes spending two years working closely with the composer a
 nd music director of the Broadway hit “Come From Away”\, as a special cons
 ultant\, to ensure the Celtic roots and traditions were communicated in an
  authentic way through the score. She has also worked with The English Sha
 kespeare Company and Michael Bogdanov\, 4th Line Theatre in Ontario\, and 
 Sadler’s Wells Theatre\, London UK.</p>\n<p>Saskia’s current personal proj
 ects include Sultans of String\, Steáfán & Saskia\, Medusa Quartet\, 2ish\
 , Cáirdeas\, and Marsala and the Imports. Saskia is principal 2nd violin f
 or Quinte Symphony\, and is in high demand as an educator\, including at E
 l Sistema Peterborough\, Jenny Whiteley’s Old Time Camp\, Lakefield Music 
 Camp\, and Goderich Celtic College.</p>\n<p><strong><b>Lea Kirstein </b></
 strong><strong><em><b><i>(they/she)</i></b></em></strong><em><i> </i></em>
 is a multi-instrumentalist (fiddle / violin\, viola\, and cello)\, educato
 r\, and concert presenter based in Toronto\, Ontario. They grew up in Vict
 oria\, BC\, immersed in many different traditional and contemporary fiddle
  styles\, studying with Daniel Lapp\, and Oliver Schroer while in the nati
 onal youth fiddle project\, the Twisted String\, and went on to complete a
  Bachelor’s degree in Music Education. Collaborations with other musicians
  have led them on tours across Canada\, the US\, and Europe\, with: Medusa
 \, iskwē\, Citizen Jane\, Roaring Timber\, the Folk Arts Quartet\, and Bal
 folk Toronto.</p>\n<p>They have recorded with JUNO nominees Teresa Doyle\,
  Leif Vollebekk\, and with Nuala Kennedy\, and currently freelance in the 
 Toronto music scene with new classical\, jazz\, pop\, singer-songwriter\, 
 and folk music groups\, including Medusa Quartet\, Polky\, and Erik Bleich
 .</p>\n<p>Lea is the current Artistic Director of World on a String\, a To
 ronto-based Folk Fiddle Collective and Music School\, presenting concerts\
 , jams\, and group classes for fiddlers of all ages. WOS puts focus on tra
 ditional folk tunes from around the world\, facilitating workshop connecti
 ons with experts in their respective traditions.</p>\n<p>Lea is in demand 
 as a workshop clinician\, arranger\, and classroom teacher\, in communitie
 s ranging from the Yukon to Halifax and the U.S.\, most notably: Bulkley V
 alley Youth Fiddlers\, Bad to the Bow Youth Fiddle Groups\, AlgomaTrad\, W
 orld Fiddle Day Toronto\, Vancouver CeltFest.</p>\n<p><strong><b>Georgia H
 athaway (they/them) </b></strong>is a Toronto-based violinist\, fiddler\, 
 songwriter/composer\, and educator with over 30 years of training. They gr
 ew up learning both classical violin from the Suzuki Method\, and Celtic a
 nd Canadian fiddle with Oliver Schroer\, Anne Lederman\, and Emilyn Stam. 
 In 2011\, their passion and interest in global roots music led them to stu
 dy abroad at the Dhow Countries Music Academy in Zanzibar\, Tanzania\, wit
 h violinist Mohammed Issa Matona. They have continued to study Arabic and 
 Turkish music for the past ten years\, learning from renowned Egyptian vio
 linist Alfred Gamil\, and have toured across Canada with the Canadian Arab
 ic Orchestra\, including performances with the acclaimed Oud player Naseer
  Shamma.</p>\n<p>Always fascinated by the connections between musical trad
 itions\, Georgia has also studied Eastern European\, Balkan\, and Klezmer 
 music since 2015 and has been a member of several bands in Toronto\, inclu
 ding the CFMA-award-winning Polky and Queen Kong. Several of their arrange
 ments\, and one of their original compositions\, “Under my Skin\,” were fe
 atured in Polky’s debut album <em><i>Songs from Home</i></em>.</p>\n<p>Geo
 rgia has recorded and shared the stage with JUNO nominees and award-winner
 s such as Leif Vollebekk\, Sultans of String\, Susie Vinnick\, and Lemon B
 ucket Orchestra\, and guested with the hit international roots band The Tu
 rbans. They have composed for and performed in award-winning stage product
 ions at the Toronto Fringe Festival and the Festival de Circo in Mazunte\,
  Mexico.</p>\n<p>Georgia teaches fiddle and violin from their home studio 
 and has taught at the Suzuki Summer Music Camp\, Strings Across the Sky\, 
 and the Toronto Institute for the Enjoyment of Music. They are also a sing
 er-songwriter in the blues and folk traditions\, and they hold a Bachelor’
 s degree in Neuroscience and a Master’s in Psychology.</p>\n</div>\n<p> </
 p>\n</div>\n</div>\n<div data-offset-key='7ll0j-0-0'> </div>\n<div data-of
 fset-key='7ll0j-0-0'> </div>\n<p> </p>\n<div class='' data-block='true' da
 ta-editor='ajus' data-offset-key='9p459-0-0'>\n<div data-offset-key='9p459
 -0-0'>\n<p> </p>\n<p> </p>\n</div>\n</div>\n<p>Tickets: <a class='ai1ec-ti
 cket-url-exported' href='https://www.universe.com/events/medusa-tickets-HD
 T8JR'>https://www.universe.com/events/medusa-tickets-HDT8JR</a>.</p>
DTSTART;TZID=America/Toronto:20260619T180000
DTEND;TZID=America/Toronto:20260619T200000
LOCATION:Old Church Theatre @ 940 Bonisteel Rd. Trenton\, ON
SEQUENCE:0
SUMMARY:Medusa
URL:https://oldchurch.ca/event/medusa/
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X-COST:$30.00
X-TICKETS-URL:https://www.universe.com/events/medusa-tickets-HDT8JR
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